Ghana Dancing

Saturday, April 18, 2015

Nigerian Dancing



 In Nigeria, dancing is described as dynamic and rich. There are many different styles in Nigerian dancing, and because of this, the dancing is not sorted into categories. The dancer’s steps and gestures are agile, graceful, admirable and elegant.  The dances include a lot of hip movements, and fairly simple foot work. 

The dance steps are coordinated with the music. The type and style of each dance depends on the music and instruments used. They have many different instruments to get the sound that they want. They also have many wind instruments such as many types of trumpets and flutes. 

The 6 main instruments are:

Frame drum: Usually the single drumhead is made of rawhide or man-made materials. Shells are traditionally constructed of bent wood scarf jointed together; plywood and man-made materials are also used.



Musical bow: String instrument that consists of a flexible, usually wooden, stick 1.5 to 10 feet long, and strung end to end with a taut cord, usually metal.



The long trumpet: frequently made of aluminium and played in pairs or ensembles of up to six


End blown flutes: a keyless woodwind instrument played by directing an airstream against the sharp edge of the upper end of a tube



Cruciform whistles: Whistles that are somewhat shaped like a cross




Transverse clarinet:  woodwind instruments that have a single-reed mouthpiece, a straight cylindrical tube with an approximately cylindrical bore, and a flaring bell


Ghana Dancing





In Ghana, the people danced for any occasion. They loved dancing and felt like it was a way that they could express themselves and their feelings. The people had different dances for every occasion. For every dance, the dancers had the steps down. The steps aren’t too difficult, but they took time to get them down.  

The instruments in Ghana dancing is almost as important as the dancing itself. They will have ceremonies where the whole thing is based around the drumming.  They have many similar looking drums, but they all sound different. They have 6 main instruments. 

Gankogui (pronounced gahn-KOHG-way): two tone iron bell
 One of three “timeline” instruments, its fundamental pattern remains the same throughout the entire form of the piece. Normally there is one gankogui in a Gahu ensemble, sometimes two.

Axatse (pronounced ah-HAHT-say): African gourd shaker
Also a timeline instrument. There can be between one and five axatse players in an ensemble, sometimes more.


  Kidi drum (pronounced KEE-dee): medium-pitched accompaniment drum
One of two response drums, its pattern can change in response to the boba. Normally there is one kidi in an ensemble.

sogo drum (pronounced SOH-goh): low-pitched accompaniment drum
One of two “response” drums, its pattern can change in response to rhythmic cues played on the boba. Normally there is one sogo in an ensemble.



boba drum (pronounced boh-BAH): lead/master drum
By playing specific rhythmic cues, the boba player guides the entire ensemble, including the dancers and singers, through the various sections that comprise the form of Gahu.

.Kagan Drum (pronounced kah-gahn): high-pitched accompaniment drum
Normally there is one kagan in an ensemble. 

Monday, March 16, 2015

African Dance

African Dance

The African people were dancing people. As they started being put into slavery, they didn't want to forget the dancing. Slave owners didn't like the idea of the African people dancing, so they banned it. The African people modified their dances so that they could continue dancing. They saw all of the benefits of dancing, so they didn't want to get rid of it. Their dances were usually spirit dances. They also had traditional dancing. This started in the 1500’s and continued for many years. The main dances done in the plantations were:

The Ring Dance,  

The Juba,  
The Chika, 

The Calenda. 

Starting in the 19th century, the white people started dancing with the black people and started doing the minstrel shows. Many people started to become more aware of the dance.  At the end of the 19th century, there started to become more shows where the audiences were all black people. The African people influenced many dances in the years of the late 19th century. Some of the dances that were influenced by the African people were:

Tap Dancing, 

The Charleston, 
The Twist,  
The Lindy Hop, 
Jazz Dancing,

Hip Hop.